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Blast From Your Past by Ringo Starr (Vinyl record album review)

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Record basics

  • Album name: Blast From Your Past
  • Artist name: Ringo Starr
  • Year: 1975
  • Number of discs: one
  • Label: Apple Records
  • Collection: Selman
  • Distinguishing characteristics: hold drilled through top left
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Blast From Your Past by Ringo Starr

My review

Level of familiarity before listening

Ringo Starr was (and remains) the greatest Beatle, but I’ve definitely never heard of this record.

What I expected

Despite my positive view of Ringo Starr, I’m aware that he doesn’t have a strong reputation as a songwriter or solo recording artist, and I am not optimistic about this record.

What it was actually like

Oh dear. I guess my first question is, Why would Ringo even make a record like this? Was it just for the money? Was he not getting adequate royalties from his Beatles records in the mid 1970s?

Anyway… No No Song sounded eerily like Ob-La-Di, Ob-La-Da, except it was about cocaine. I’m The Greatest struck me as extremely self-conscious about being a post-Beatles song, which is not a good look.

Back Off Boogaloo was quite bad, and it was around the point when the record got to Only You (And You Alone) that I thought the whole thing might be a joke, and that the joke might have been on me.

Grade

2/5: bad, but I was able to listen to the whole thing

The Concert For Bangla Desh by Various Artists (Vinyl record album review)

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Record basics

  • Album name: The Concert for Bangla Desh
  • Group name: Various, including George Harrison, Ravi Shankar, Ringo Starr, Bob Dylan and Eric Clapton
  • Year: 1971
  • Number of discs: three discs / six sides
  • Collection: Selman

The Concert for Bangla Desh

My review

Level of familiarity before listening

I had heard of the benefit concert (as well as the war that led to it), and knew that the album existed, but had never heard it before. I’ve long been a fan of the Beatles, Bob Dylan, Ravi Shankar and Eric Clapton’s early work.

What I expected

Some celebrity soapboxing and some great late 1960s / early 1970s rock music.

What it was actually like

Charitable concern for victims of war and famine is an admirable trait and I’ll never criticize anyone for caring about one’s fellow man (and starving children), but with half a century’s hindsight, can we not all agree that there’s a certain exploitative posturing to which celebrities seem inclined, and that this album may have kicked off the trend, or contributed to it significantly?

That said, one redeeming quality of George Harrison (the second best Beatle) is that he really seems to have lacked meaningful stage presence, which enables me to regard him as having a certain sincerity towards his weird religious and political beliefs that I don’t think was shared by his former bandmate (and third best Beatle) John Lennon.

Speaking of which, many people cite John Lennon’s Imagine as the worst song ever composed by a member of the Beatles (and to some, it’s the worst song of all time) and that’s a fair point of view, but in my opinion must go to My Sweet Lord, George Harrison’s adaptation of a (Christian) gospel melody to an anthem of praise for Krishna, Vishnu’s eighth avatar (whose birthplace I once visited in Mathura).

On the other hand, how many people out there, even diehard Bob Dylan fans, can name Dylan’s greatest song? Is it Mr. Tambourine Man? No. Blowin’ in the Wind? No. Like a Rolling Stone? No. His greatest song is It Takes a Lot to Laugh, It Takes a Train to Cry, and he performed it at the concert for inclusion on this album, which is great, even though his performance was kind of weak.

As I might have predicted as a Ravi Shankar fan, his performance on side one (of six) stole the show.

Grade

3/5 (but Ravi Shankar gets 5/5)

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