Record basics

• Album name: The Freewheelin’
• Artist name: Bob Dylan
• Year: 1963
• Number of discs: one
• Label: Columbia Records
• Collection: Brenner / Gessner
• Buy it on Amazon: $19.98

My review

Level of familiarity before listening

I’ve probably listened to this record 500 times, and I wouldn’t be surprised if it’s more like 1,000 times.

What I expected

Every note of every song on “The Freewheelin'” is already imprinted on my memory.

What it was actually like

When I listen to this record, I don’t skip any songs, though I don’t particularly care for some of them, like Down the Highway and Masters of War. Others feel so significant and even monumental that they go beyond like and dislike, such as Blowin’ in the Wind and A Hard Rain’s a-Gonna Fall.

My favorite (at least for today) is Girl From the North Country. Every time I hear it, I think of Scarborough Fair, which makes me think of the hilarious “We’re Sausalito” scene from “Lost in Translation,” one of my favorite movies. It also makes me think that Dylan wrote it for his communist girlfriend on the album cover, but I prefer to think of “Lost in Translation” because Scarlett Johansson is not a communist. Honey, Just Allow Me One More Chance is also a favorite.

Grade

5/5: love it

Record basics

• Album name: Bob Dylan’s Greatest Hits, Vol. 2
• Artist name: Bob Dylan
• Year: 1971
• Number of discs: two
• Label: Columbia Records
• Collection: Brenner / Gessner
• Buy it on Amazon: $7.00

My review

Level of familiarity before listening

I mostly listen to Bob Dylan’s earlier records (especially “Bob Dylan,” “Freewheelin’,” “Bringing It All Back Home,” “Highway 61 Revisited” and “Blonde on Blonde”), but I’d say I know about three quarters of the songs on this double album.

What I expected

Rock, folk rock, blues rock.

What it was actually like

For the sake of clarity: Columbia Records put together “Bob Dylan’s Greatest Hits” in 1967 when he wasn’t recording any new material, and I reviewed that yesterday. Then Dylan kept making new records, and in 1971 there was another break in his recording schedule, so Columbia Records made “Bob Dylan’s Greatest Hits, Vol. 2,” a double album, which I’m reviewing now.

(I understand that there’s also a third volume, but I don’t think it’s in my parents’ collection anywhere – it would have been released long after they stopped listening to popular music and buying records, and would have included music from Dylan’s bizarre evangelical phase that’s of no interest to anyone.)

I expected not to like “Bob Dylan’s Greatest Hits, Vol. 2” as much as I liked “Bob Dylan’s Greatest Hits,” which did turn out to be the case, but this record wasn’t quite as I anticipated.

First, of its 21 songs, five can not be considered to have been “greatest hits” by any stretch of the imagination, as they were previously unreleased. Whose decision it was to package that material on a record of greatest hits is unclear to me, but if it hadn’t happened over half a century ago, I would certainly be calling for him to be fired post haste.

Second, the earlier installment “Bob Dylan’s Greatest Hits” was released in 1967 (between “Blonde on Blonde” and “John Wesley Harding”) and “Bob Dylan’s Greatest Hits, Vol. 2” was released in 1971 (between “New Morning” and “Pat Garrett & Billy the Kid”) so one would expect that the second volume would consist of songs from “John Wesley Harding,” “Nashville Skyline,” “Self Portrait” and “New Morning.” Of the 16 previously released songs, however, only six are from those records, while another is a single that wasn’t included on an LP, and nine are from “Freewheelin’,” “Blonde on Blonde,” “Another Side,” “Bringing It All Back Home” and “Highway 61 Revisited.” Does that matter? Not really, but it’s kind of weird, and makes me wonder if maybe Dylan and his handlers at Columbia Records didn’t have their shit together back in 1967 and were trying to correct a major mistake four years later.

Anyway, I always love to hear Maggie’s Farm, so that was a hit for me. Lay Lady Lay is another favorite that I almost never remember because it’s on “Nashville Skyline,” and therefore not in my regular routine. All I Really Want to Do is another that I never consider a favorite until it comes on and I recall how much I enjoy it. A Hard Rain’s A-Gonna Fall used to be one of my father’s favorites, and while I do think it’s good, it never really spoke much to me. All Along the Watchtower was probably the high point for me; I listen to the Hendrix version a lot (and I think it will come up imminently in a review, as I noticed that album on the shelf), so hearing Dylan’s totally-different-and-almost-as-good take was very cool.

The low point for me was most of the fourth side, which is where the producers stuck all the new material. Though I thank them for segregating it onto one side of one of the discs, I still wish it had been left out.

Grade

4/5: would listen again